More info I'd get mine at Adorama, at Amazon, at B&H or at Crutchfield. I find this is the best way to stabilize the lens and distribute the weight when shooting. Goldmember. Buy Sony 70-200mm f/2.8 G SSM II Lens featuring A-Mount Lens/Full-Frame Format, Aperture Range: f/2.8 to f/32, Four Extra-Low Dispersion Elements, Nano AR Coating, Super Sonic Wave AF Motor, Three Focus Hold Buttons; Internal Focus, Electronic Focus Range Limiter, Dust and Moisture Resistant Construction, Removable, Rotating Tripod Collar, Nine-Blade Circular Diaphragm. I hold the lens by the tripod collar foot to balance it on the smaller body. This is a guest review of the Sony 70-200mm f/2.8 GM by wedding photographer Chad Winstead. As you zoom, it becomes slightly pincushion distortion at 200mm below. I feel these mechanics may have been refined a bit better in more recent lenses. Aside from the 1 stop difference in the maximum aperture of the two lenses, there are a few other differences between them. Things are very nearly tack sharp in the extreme corners even at F2.8. The minor color fringing really takes pixel peeping to notice and it is easily correctable. Below see the vignetting at 70mm from F2.8 to F8. Sony FE 70-200mm F2.8 GM OSS With full-time manual focus, you can move the focus ring whilst it is in AF (autofocus) mode. Overall I tend to not mind either shape. Strong backlighting led to some purple and green color hazing and ghosting. Those who need it should know they need it. People generally love primes for their size, wide open apertures, and SHARPNESS. The 28-200mm F2.8-5.6 for Sony E-mount covers a broad range of focal lengths in a single lens, starting from 28mm at the wide-angle end to 200mm at the telephoto end. I’m personally fond of the effect, but it’s a lot tamer when using the lens hood! Overall, it wasn’t severe but it showed up a bit more than I expected. Sony's full-frame E-mount version happens to carry the 'GM' logo, designating it one of the brand's highest quality pieces of glass. The Sony 70-200mm is no exception! Sony FE 70-200mm f/2.8 GM (G Master) OSS E-Mount Lens - Bundle with Flashpoint Zoom Li-on X R2 TTL On-Camera Round Flash Speedlight, 77mm Filter Kit, Cleaning Kit $2,458.81 Get the deal We see the 200mm focal length being just a tad weaker again. Sony G-Series 70-200mm F/2.8 GM OSS FE Universal Camera Lens. As a result, these lenses aren’t for everyone, typically for the professionals and well healed amateurs who really need a lens like this. Buy the Sony 70-200mm F/2.8 on Amazon / Adorama. Zoom is internal so the lens does not extend further. close search. The Sony 70-200mm f/2.8 GM is a fantastic telephoto lens in the G-Master lineup. At f2.8, there is some softness. Still, I have now used every current Sony FE zoom lens — The Sony 70-200mm F/2.8 is probably the third sharpest Sony zoom lens I have tested, behind only the Sony 100-400mm GM and the Sony 16-35mm F/2.8 GM. I cannot back up my concerns with quantifiable data, so feel free to ignore me. 3-5:  A compromised lens that may still be suitable for some shooters and situations. Sigma may be about to bolster its lens range with the launch of a new 70-200mm f/2.8 zoom, featuring a Sony E mount. Moving away from the center, the borders hold up just find at 70mm. Do the pros of this lens outweigh the pounds? Here it is at 100% crop. The “GM” or “G Master” designation is now used by Sony for their top quality high end professional lenses. More info Impeccable sharpness. These are not “ugly” corners you would find with some lenses — in fact, even at F2.8, I would call the corners fairly sharp. We will examine sharpness at 70mm, 135mm and 200mm. As you can see, it’s very sharp wide open and close to the edge! This light weight ultra fast telephoto zoom lens has a maximum aperture of f:2… Sony a7rIII + Sony 70-200mm f/2.8 @85mm | 1/200 f/4 ISO 100. The lens arrived completely non-functional. At the further distance, there is a hint of softness in the border at F2.8. I find the photograph actually understates the size difference, particularly the weight. • You can attach/detach the front lens cap in two ways, (1) and (2). 4.4 out of 5 stars The Sony 70-200mm f/2./8 GM does have built-in image stabilization to go alongside the in-body stabilization of the newer Sony mirrorless cameras. By F4, we get total sharpness. The Sony 70-200mm F2.8 is an exceptionally sharp instrument with minimal correctable defects. At the closer distance, I would say 2.8 is fully tack sharp. The Sony 70-200mm F/2.8 GM is no exception to the generalization of hefty weight and price. Post edited over 1 year ago by smaeda. Do … About Sony open. menu. In reality, probably 95% of my misfocused shots with this lens can be chalked up to user error! LIKES 3 LOG IN TO REPLY. No expense was spared in the body design. I finally obtained another copy for testing, resulting in the test images in this review. Distortion is correctable but the correction of distortion affects the sharpness as the image is stretched or compressed. Metabones Micro Four Thirds to Canon EF Smart Adapter --- $25.00. But focus seemed fast, smooth and silent on the Sony A7riii and Sony A9. The build quality and feel of the Sony 70-200mm GM is outstanding. While there were no major problems, there were a couple of occasions the lens seemed to just stop focusing until I turned off and turned back on the camera. Tamron SP A001 70-200mm f/2.8 LD Di Lens For Nikon. Obviously, stopping down to f/5.6-f/8 will yield even sharper results! We have collected amazing photos from all over the world that showcase captures on Sony cameras and lenses. Out of focus highlights result in smooth soft circles that become “cat’s eyes” at the edges of the frame. Any lingering softness is fully resolved by F4. And 135mm centers from closer focus distance: The Sony 70-200mm F2.8 GM appears sharpest in the middle of the zoom range. There is really nothing negative I can say about the image quality. Unfortunately, I must share some anecdotal notes. The F4 lens actually weighs about 45% less than the 2.8 GM lens. Internal zoom. Let’s see how it compares to the equivalent lenses in other systems: Canon and Nikon will soon be introducing equivalent lenses for their mirrorless systems. Overall, I would say I have been very impressed with the level of detail and sharpness from the Sony 70-200mm. At 42mp, a lens has to be really sharp to render well on this camera. The corners are a true test for any lens. I’ll start with the foreground bokeh. We are living in an amazing time for photography. We complete our review of the Sony FE “holy trinity” of lenses with the Sony 70-200mm F/2.8 GM. But I’d be sure to have a good warranty in place, just in case. Unfortunately, I did not get to test the autofocus in challenging sports situations. About Sony Top. Very sharp image wide open, even on 200mm, improved a lot comparing to G1, as i played few years ago (on a900). Zoom lenses tend to have worse bokeh (quality of the background separation) than prime lenses. Metabones Sony E to Canon EF SpeedBooster --- $30.00. At worst, it sometimes exhibits unpredictable flare. Let’s take a look: At 70mm, the center of the 70-200mm F/2.8 is tack sharp. There are a few clunkers out there where the sharpness is really an issue. To live up to the G-Master name, a lens must deliver exceptional image quality, have robust build quality, and perform quickly in the autofocus department. (About my scoring:  9-10 is a superb lens which could have a place in the bag of almost every photographer. This is a guest review of the Sony 70-200mm f/2.8 GM by wedding photographer Chad Winstead. F2.8 is still perfectly satisfactory for portrait-type shooting but you are not getting the utmost critical sharpness. But if you don’t mind the weight or price, the lens may be nearly perfect. I then borrowed a copy, intending to test it for review. Sony FE 70-200mm f/2.8 GM (77mm filters, 54.5 oz./1,545g, 3.1'/1m close focus, about $2,598). This image has the default sharpening from Lightroom applied, and the image has been lightly edited for some color and contrast. smaeda. Image stabilization. The products in this post may contain affiliate links. In this review of the Sony 70-200mm f/2.8 GM, I will be hitting on the following criteria : Let’s dive in to the review to see if this lens is worth your hard earned cash…. • f/13 • ISO 100 IMAGE LINK: https://flic.kr/p/2iRB Zkv SMD08080_2 by shintarodesign , on Flickr Sony 70-200mm F2.8 environmental portrait, Sony 70-200mm F2.8 with tripod collar and switches, OSS and AF/MF switches on Sony 70-200mm F2.8, 70mm f2.8 distortion – slight barrel corrected, 200mm f2.8 pin cushion distortion – corrected, Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on LinkedIn (Opens in new window), Canon R 70-200mm F/2.8 will utilize a much more compact design, Programming instant reaction button on the Sony A7riii, A7iii and A9, Recommended Sony A6400 lenses and accessories, Sony FE 12-24mm F/4 G at Universal Studios, Sony FE 24mm F1.4 GM at Universal Studios, Rokinon Samyang 85mm F 1.4 Review for Sony. Sony FE 70-200mm f/2.8 GM OSS lens review   For full-frame shooters, a fixed f/2.8 aperture, 70-200mm zoom is an extremely popular lens for shooting sports, wildlife, reportage, events, weddings as well as portraits, making it a versatile and must-have lens for many pros. ©2006 Sony Corporation Printed in Japan SAL70200G Lens for Digital Single Lens Reflex Camera Operating Instructions 70-200mm F2.8 G 2-696-862-11(1) Attaching/detaching the lens To attach the lens 1 Remove the rear and front lens caps and the camera body cap. For now, we see that the Sony 70-200mm F/2.8 does not save any weight compared to the dSLR offerings and certainly doesn’t save any money. The 70-200mm F2.8 is a staple piece of kit for a lot of professional and advanced shooters. It’s built like a tank. The zoom mechanics have a nice, tight feel, giving it some light resistance. In addition to an ideal zoom range for nature, sports, and other photography that requires a bit more “reach” that a mid-range zoom provides, this lens offers outstanding corner-to-corner sharpness from 70 mm to 200 mm in a compact, lightweight unit that is a perfect match for compact full-frame E-mount bodies like the α7 series. G and Sony 50mm f/2.8 macro optic can focus as close as 0.96m regardless of bokeh. At F4 eye autofocus tracking and object tracking, my keeper rate has gone up more. Bokeh circles can be chalked up to user error much as some other lenses is to be useful... Stretched or compressed centers are free of onion-ring effects peeping to notice and it is easily correctable off! But it showed up a bit better in more recent lenses the heaviest lenses made for these small lightweight... Needed to drop the shutter speed, such as the image has the default sharpening Lightroom! 1-2: just stick to your phone camera ) s even more improving image quality channel. 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