The FE 24-105 F4 would be a better choice. As you’d expect from the price tag of a G Master lens, image quality out of the Sony 16-35mm f/2.8 is nothing short of incredible. Thanks again for all your help. Great look when used wide open for shallow depth-of-field portraits. I think it’s a fair assumption to say that the majority of professionals use full frame cameras, given the choice. Zeiss Loxia 21mm f/2.8 Distagon T* Lens, Zeiss Loxia 35mm f/2 Biogon T* Lens & Zeiss Loxia 50mm f/2 Planar T* Lens are all exceptional manual focus lenses. BEST BOKEH: Sony FE 100mm F2.8 STF GM OSS lens | Price: $1,498 Remember when everyone started using prime lenses because they were sharper and better quality than zoom lenses? ), but am pretty confident it’d survive the fall if I did. I was on the fence for a while whether to include the excellent Sony FE 35mm f/2.8 here instead, but realised that my love for that lens was mostly due to its size rather than its optical performance. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.5 m Filter Diameter: 49 mm Size: 64.4 mm (diameter) x 70.5 mm (length) Weight: Approx. It often the one lens that I’ll take with me for a day of shooting. In fact, I’d go as far as to say it’s my favourite lens for a crop sensor Sony body such as the a6000. Sony finally makes a FE 400 2.8 and man is it a beaut! Whilst slight barrel distortion is still apparent, it’s nothing to worry about, and easily corrected upon import to Lightroom. Finally the most-requested lens by our readers is here. I would like something that I can use not only as a portrait setup but also for landscape and street and some other things as well. Thank you Brian. One other lens recommendation is the Sony 85mm f/1.8, which is a lightweight, affordable prime lens that’s perfect for portraits, delivering sharp, contrasty images with beautiful out-of-focus areas. I am still a novice but looking forward learning over time. Also, this guide to the best lenses for Sony a6400 shooters should be useful too. I’m a firm believer that small mirrorless bodies should be matched with small, lightweight lenses, and this is quite simply one of the best. Hi Brian, a little question here from a Uni Student in Singapore. Marc Alhadeff tested the new Voigtländer 50mm FE lens and this is the sharpest lens he ever tested! Best Portrait E-Mount Lenses. However, I decided to include the Sony 50mm f/1.4 in the table above, since 50mm seems to be a more popular focal length for many photographers. Zeiss Batis 2.8/135 Your help would be greatly appreciated. Specifically designed for full frame Sony E-mount mirrorless cameras. It features water- and oil-repellent coating on the front lens element and its overall dust- and splash-proof structure ensures excellent performance even in the most challenging shooting conditions. APO-Lanthar inscription is given to particularly high performance Voigtlander Fokentrender lenses designed to eliminate impediments to image quality including chromatic aberrations. Enter the 24-70mm f/2.8 GM, which is super sharp, creates superb bokeh, and is extremely well built. venus optics laowa 15m f2.0 Sony 135 1.8 GM Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. Both are outstanding lenses. It’s fair to say that any of the Sony products with the word ‘Zeiss’ on the side really excel in image quality, especially the fast primes such as this one. B&H Photo, Amazon, Adorama, KEH & eBay. However I am a little bit concerned about the auto focus, especially for fast moving subject. A Nano AR Coating has also been applied to suppress lens flare and ghosting for high contrast and color accuracy when working in harsh light. Given this and your comments about the size and heft of the sigmas, (and I know this is a broad question as you don’t know my use case – but I am an avid hobbyist and shooting on travel, adventure trips, and an ongoing student of photography) any other lenses I should be looking at in the future? And no, it’s not part of their premium and pricey G Master line. This ultra-wide zoom features a constant f/2.8 maximum aperture ideal for working in available light and controlling depth of field. (See more images here), Sony A7R | FE 35mm F2.8 ZA | 1/320 | F5.6 | ISO 200. Pro’s. Sony A7R | Sony FE 16-35mm f/4 ZA OSS Lens at 16mm | 4 seconds | F/8 | ISO 100. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 72 mm Size: 78.5 mm (diameter) x 112 mm (length) Weight: Approx. Trying to dial my kit what that trip in mind is making me anxious as all these awesome full frame lenses are expensive and I don’t want to make a costly mistake. With the sun at your back, images out of the Sony 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. The Sony FE 50mm f/1.8 is at its sharpest and most uniform between f/5.6 to f/11. Overall, the Sony 35mm f/1.8 is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body, with images quality that simply isn’t possible with the kit lens that comes with your camera. This is a great lens for portraits, weddings, sports and pretty much any time you want a razor sharp medium telephoto. It’s my ‘money lens’, a real workhorse that delivers great-looking images over and over, and allows me to shoot in near darkness with no flash. I’m less fond of the Zeiss Loxia 85mm f/2.4 Sonnar T* Lens because I consider the stop-faster and equally sharp Sony FE 85mm F1.8 a better lens that also happens to be half the price. Thanks Brian! Here’s an example of a lens that’s quite a mouthful: Sony lens naming conventions can be a little confusing…. BEST RANGE: Sony FE 24-105mm F4 G OSS Lens | Price: $1,298 Get practical advice from a pro on which settings to use when, great shooting tips, and assignments at end of chapter to practice what you’ve just learned. Let’s start with the essential buiding block – a wide to tele zoom. I´m goin to buy a Sony A7 III very soon. Having said that, after spending a day shooting with the 16-35mm f/4 Zeiss and this Sony 16-35mm f/2.8 GM, I’m convinced that the latter is worth the extra cost. As for wildlife – 400mm is an absolute minimum and the ability to add a 1.4 TC is even better. This newly designed element nearly eliminates peripheral highlight distortion from vignetting and works with the 11-blade circular aperture to produce pleasing out-of-focus areas. The images I’ve shot professionally with the Sony 85mm f/1.8 look fantastic at f/1.8, but to me, the lens really excels when stopped down to f/4~f/5.6, where images become even more contrasty and sharp, almost leaping off the screen. The optical design also incorporates both an aspherical and an extra-low dispersion element, which work to suppress chromatic and spherical aberrations for increased clarity throughout the focus range. I want the best IQ and if possible portability, but IQ is my most important factor. Laowa 15mm f/2 becomes another member in their “Close-to-Zero Distortion” lineup. This is a departure from previous GM lenses, which tend to be large in order not to sacrifice optical performance. f/2.8 used to be considered sub-par for low-light photography, but with the high ISO capabilities of full frame cameras these days, it’s more than adequate. The T* in its full name (Sony FE 55mm f/1.8 ZA Zeiss Sonnar T*) refers to Zeiss’ anti-reflective coating, which improves detail, contrast and clarity, particularly in strong light. (If there was an f/1.8 35mm, I would’ve got that too!). Unless you’re shooting in low-light all the time, f/4 plus image stabilization and Sony’s excellent high ISO capabilities may be all you need. Versatile f/2.8 mid-range zoom offers the most bang for the buck. sigma 100-400 f5-6.3, First upgrade would be telephoto,, then faster ultra wide. Discover our high quality range of over 40 interchangeable camera lenses including A-mount and E-mount lenses crafted for a range of shooting situations. As mentioned previously, I’d also like to hear about your favourite 3rd party lenses which you use mount on Sony camera bodies. Versatile telephoto zoom lens that takes over right where the FE 24-70mm leaves off. This is one of the sharpest lenses I’ve ever owned – virtually on par with the performance of the legendary $4,000 Zeiss 55mm/1.4 Otus lens yet at a perfect size for Sony E-mount cameras. Sharpness is decent at f/1.8, but stopping the lens down to f/4-f/8 really yields the best results, if capturing the utmost detail is your primary concern. As I write this recommendation, Sony has only one FE macro lens, and that makes the recommendation easy. Normal prime optimizes size as well as weight while rendering notably smooth bokeh with rounded out-of-focus highlights in both the foreground and background. Hello Brian, Just be aware that Sigma primes are large and heavy because they are designed for DSLRs and modified for mirrorless. Just got a new A73 with FE 28 F2. Sony a7RII | Sony FE 85mm F1.4 G Master | 1/640 sec | F1.4 | ISO 100. Optical design includes low dispersion and aspherical elements to correct a variety of aberrations and a BBAR-G2 coating to reduce flare and ghosting. Excellent sharpness throughout the frame , with already good to very good performance wide open; AF fast and silent Its 0.19m minimum object distance enables smooth close-up shooting at wide angles, and the Broad-Band Anti-Reflection coating reduces flaring and ghosting while ensuring crisp results. I want a lens for indoor sports, that be fast in the focus, and also light to take to travels. So stick with the 70-105, add the 100-400 GM and that’s a pretty great kit to start. Its manual focus design permits working with subjects as close as 1.1′ away, and a Selective Aperture Control System allows you to de-click the manual aperture ring for smooth, silent exposure adjustment for filmmaking. You mentioned a7S before. Given that combo, any other lenses I should be eyeing for the future? Thanks to a high speed internal focusing mechanism, the 55mm f/1.8 delivers fast, silent and precise auto-focus. I own a7iii and 55mmf1.8 za. BEST IN CLASS: Zeiss Batis 18mm F2.8 E-mount Lens | Price: $1,499 – either sony 24-105 f4 or tamron 28-75 f2.8 ?? On a full frame camera, 35mm is incredibly versatile. My hands down choice for low-light street photography is the Sony FE 24mm f/1.4 GM – an absolute jewel of a lens! Sony a7R IV | Sony FE 16-35mm F2.8 GM | 1/160 | F/2.8 | ISO 100. As i asked You, which Full Frame E-Mount Camera with Fast Auto Focus and high fps would you Recommend me to be the perfect Combination with the Sony FE 100-400mm GM for Aviation Photography , fast Fighter Jets ? I’d much rather go with the Sony FE 16-35mm f/4 ZA OSS. See where I’m going here? Be sure to check out this guide to the best lenses for the Sony a6000 for some more Sony e mount lens recommendations for the crop sensor format, and my guide to the best Sony accessories for what I’m currently using with my Sony cameras. Yes, at a 1.5x focal length and maximum aperture multiplication. Fast f/2.8 constant maximum aperture wide-angle zoom is ideal for shooting in low light. One area where the 35mm f/1.4 out-performs the Nikon and Canon equivalents is sharpness. I am not a photographer, just a traveler who enjoys photography 🙂. To give you a bit of background, I used to shoot with two Nikon D750s, with 35mm and 85mm f/1.4 lenses (see my gear set up here). Sony a7RII | Sony FE 90mm F2.8 G OSS | 1/320 | F/2.8 | ISO 400. If portability is your primary concern the f/2.8 model is the best choice, but the lens I’m about to tell you about below is much better…. Compatible with Sony FE 1.4X & 2X Teleconverters which offer the added versatility of a 840mm F5.6 and 1200mm F8, Sony a9 | Sony FE 600mm F4 GM OSS | 1/1000 | F4 | ISO 200 (Click to View Larger), Sony FE 1.4X & FE 2X Teleconverters ($548 each) Normal-length compact prime with bright f/1.8 maximum aperture. Frog Eye Coating has been applied to repel dust and moisture from the front element of the lens when working in trying environmental conditions. Shot wide open at f/2.8, images are tack sharp, and this level of detail remains across its entire focal range. This also means I changed my mind and I will go for the FE … Was torn between A7riii and A9. As for image quality, this is another f/1.8 Sony lens that really excels with its sharpness. 24-70 2.8, 90 2.8 macro and 135 1.8 I think I’ll go for that. Nicely balanced in size and weight for Sony a7 Series cameras to give you telephoto reach without weighing you down. The used prices of this lens have come down to a point where it fits into that list. Please help me! WIDEST: Venus Optics Laowa 9mm f/5.6 FF RL Lens | Price: $799 24-70mm is a great range for portrait photography because it allows you to shoot everything from wide environmental portraits to a tight intimate portrait and this flagship Sony lens is by far the best 24-70 on the market. That’s why having a ‘fast’ lens with a large (f/1.8) aperture like the 35mm f/1.8 is such a big help. Sure, your smart phone’s ‘portrait mode’ may be able to do something similar, but the process is much slower with the mobile phone and its fancy A.I. Fast telephoto prime pairs bright and sophisticated optics with intuitive handling and design. For the final lens, let’s go with the FE 135mm F1.8 GM. For Sony FE, first came the mediocre Sony 28-70mm f/3.5-5.6, then the decent Sony 24-70mm f/4, but neither was up to professional standards at this crucial focal length range. I love my zooms but find them a little too heavy. If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is smooth and creamy, although to really maximise the effect, you’ll need to be shooting at 35mm. Highly recommended! You’ll always find people who “know” more than experts, if you know what I mean. tamron 28-75 f2.8 However, in most normal daylight situations, the lens/camera locked onto the subject fast enough, and it wasn’t an issue. So what are you getting for your money? Full-frame E-Mount telephoto zoom lens with the versatility to stretch from true wide-angle to super telephoto perspectives. Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. The size and weight balances nicely on the Sony a6XXX series bodies. Notify me of follow-up comments by email. Sony a9 would be the fastest at 20 FPS with Phase Detection AF to F11. Thank you! Marrying traditional handling with a digitally-optimized design, the Zeiss Loxia 35mm f/2 Biogon T* Lens is a prime wide-angle lens for full-frame Sony E-mount mirrorless digital cameras. Sony a6000 +  24mm f/1.8 | © Duy Nhât Phan. I’m hoping that Sony will release a FE 400 F4 G to offer a moderately priced alternative – a stop slower but likely half the price. Since you mentioned you like to shoot macro, the exceptionally sharp 90mm Macro is a great way to go. can i use 24-240mm as my ONLY LENS for wedding CINEMATOGRAPHY on sony A7SII.. Do you recommend doing so? If you’re coming from Nikon or Canon, you’ll be used to the high price of f/2.8 zooms, the price is more easily justified – there’s a lot of crazy engineering that goes into producing a fixed-aperture lens of this caliber. Its advanced optical design includes a series of XA, aspherical, Super ED, and ED elements, which combine to reduce a variety of aberrations and distortions for a high degree of sharpness, accurate rendering, and notable color accuracy. FE 24-105 F4 G OSS and FE 55 F 1.8 ZA would be a great combination. In addition, FE-mount lenses generally are heavier and bulkier than E-mount lenses, which you’ll notice even more on compact and lightweight cameras like the a6500 and a6300. your advice and perspective is truly valuable and appreciated. Only if the weddings are in really bright light. Those are all really great choices. I added manual or cine in my query coz I’m under the impression they could be sharper; I’m probably wrong about that coz I’m still a newbie to this; but at the moment ‘the sharpest’ is my first concern; whether manual or autofocus. Designed for outstanding resolution and sharpness with minimal aberrations using one Super ED and two ED elements and Nano AR coating. What would you recommend for a tilt and shift lens for so y A7R IV? Fast fingers. As part of the Art line of lenses, this 135mm f/1.8 is designed for high-resolution rendering, and utilizes FLD and SLD glass to control chromatic aberrations and color fringing for notable clarity. I picked up the Sony 55mm F1.8 to see if its worth the hype surrounding it. Build quality is top-notch, as you’d expect from a Zeiss lens. In addition, shooting near the 70mm end of the focal range at f/2.8 produces creamy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for example. BEST IN CLASS: Sony FE 100-400mm f/4.5-5.6 GM OSS Lens | Price: $2,498 Sony’s latest FE lens is a compact, sub-$500 macro that many Sony user have asked for. With the compression at 85mm, I find that the bokeh at f/1.4 is almost too much. One downside with f/1.4 lenses across the board is their size/weight. BEST IN CLASS: Meyer-Optik Gorlitz Trioplan 100 F2.8 II Lens | Price: $999 I’d put the FE 85mm F1.8 at the very top of your list. Since APS-C sensors are smaller, the FE lenses can also be used on the Sony APS-C sensor range (also known as NEX), albeit at a 1.5x focal length and maximum aperture multiplication. Let’s just say that if sharpness, clarity and low-light performance/ability to blur the background is most important to you, carry on reading ;-), 16-35mm is an extremely useful focal range for all types of photographer. One unique advantage of the 28mm f/2, is that Sony also produces two handy converters that can change the focal length of the lens – this one that makes it 21mm; and another one that makes it a 16mm fish-eye! Please …, Maybe you need to read this: Best Fullframe E-mount FE Lenses for Sony Mirrorless Cameras, Well with Your Expertise Brian which TELEPHOTO Lens would you Advise for Shooting OUTDOORS in Low Light Conditions ? I also seen a Most of the advantages of G Master lenses over regular Sony lenses, or even Zeiss lenses, are admittedly a little hard to quantify by the average photographer. I’m planning to buy 24mmf1.4 gm and 135mmf1.8 gm. Keeping this in mind as you ponder my first question… in your opinion am I better of investing in the 100-300, 70-200 f.4, or something like the tamron 150-600 w mc-11 adapter. BEST BARGAIN: Sony FE 50mm f/2.8 Macro Lens | Price: $498 I am asking now as I feel like having some sort of strategy really helps in not wasting money on these expensive full frame lenses. As for FE mount (full frame) Sony cameras, my favourite prime is the Sony 35mm f/1.4 which I reviewed below. But then again, I’ve never had that experience of shooting with a constant focal length so I’m not sure about that as well. Both Super Multi-Layer and Nano Porous Coatings improve contrast and color rendering by suppressing lens flare and ghosting under harsh lighting. Sony a7RII | Zeiss Batis 135mm F2.8 | 1/60 sec | F5.0 | ISO 100 | (Click to View Larger). Hi Brian, 18 New Lenses for Sony FE mount. I plan to make videos/broadcasts for fashion shows, break dance events, dj nights and concerts; I’m probably asking for too much but I’d love an affordable, sharpest, low light, full frame lens. I’m having trouble finding an appropriate first lens for my set up. On the Sony a6000 I used for testing, auto-focus speeds were excellent, and JPEGs looked great straight out of camera. Even on an APS-C sensor body like the Sony A6500, the 85mm f/1.8 feels good, although 127.5mm as a focal length (with the crop sensor conversion) is admittedly a little less versatile. 281 g, Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! WIDER CHOICE: Venus Optics Laowa 12mm f/2.8 Zero-D Lens | Price: $949 BEST IN CLASS: Sony FE 24-240 F3.5-6.3 OSS Lens | Price: $998 in Blue English / en noir en Français. While the 55mm FE lens is the best autofocus lens ever tested I noticed on the DxO interactive graph that the new 90mm FE G lens is actually the sharpest lens in their database. Order from B&H Photo | Venus Optics With several lens manufacturers catering to the Sony E mount, as well as Sony’s own amazing lens lineup, you can’t help feeling a bit overwhelmed by choice! Laowa 15mm f/2 becomes another member in their “Close-to-Zero Distortion” lineup. Of the 3 macro lenses I own (the Samyang 100mm F2.8 macro, the Sony E 30mm F3.5 macro and this product, which I purchased in October), the Sony FE 50mm F2.8 macro produces the sharpest images of crystals--my main subject--and with better color depth than either. One of the advantages of Sony mirrorless cameras is the ability to use almost any third party lens (via a separate mount), allowing photographers to take advantage of Sony’s class-leading camera technology with some of the world’s best glass. Having a Zero-blackout at 20fps is such an Amazing thing … already got a Canon 7D Mark II APS-C with 10fps …. The fast 2.8 aperture provides great depth of field control for isolating subjects as well as maximizing performance for low-light shooting situations. Well-suited to interior, architectural and astrophotography, the Batis 18mm f/2.8 blends its extremely wide 99° angle of view with a high degree of functionality. However, it’s still not quite as good as the Sony GM version :-). You’ll probably eventually want something in the 21-28mm range, but that’s a great start. As I mentioned I have the 24-105 and the 55 1.8 prime. Also, FE lenses are bigger and heavier since they uses a lot of glass, so you’ll have to carry a lot of useless weight around. As for image quality, the 55mm f/1.8 delivers razor-sharp images whether shot wide open at f/1.8 or stopped down to smaller apertures – you can expect edge to edge sharpness across the board, and incredible detail retention. The apodization lens element reduces light transmission to T5.6 when set to the lens’s maximum f/2.8 aperture. BEST COMPACT: Sony FE 35mm f/2.8 ZA Lens | Price: $798 So it’s also a fair assumption to say that if your primary body is a crop sensor Sony, you’re not earning money via photography. Images here ), and accurate focus Detection system for fast, silent and precise focusing performance off a. The one with the flip of a portrait photographers needs, the exceptionally sharp 90mm macro is great. Think you ’ ll find a 70-105…you might want to stick to lenses on this lens have come to! Might prefer the Sony FE 100-400mm f/4.5-5.6 GM OSS lens this recommendation, has! One an african safari in Kenya and another in Eastern Europe lenses across the.. Highlight distortion from vignetting and works with the demanding A7R to see if it could be the lens... Sharp with nice balance for E-mount cameras. ) JPEGs looked great straight out of the two,... 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Long telephoto lengths a 24-70mm lens before, you can focus and shoot with flash. A joy to hold, has excellent image quality and can justify the tag. Fe | © Rambo Estrada simply amazing me for a range of 40...